Posting on Cimande
The following posting floated around the internet silat lists about
a year ago and recently floated around again.
By Mr. Ian Wilson
School of Asian Studies
Murdoch University
Western Australia
Though I am
not myself a Cimande practitioner, I did have the opportunity last year
to spend some time in Cimande village conducting research for my Ph.D
on the historical development of pencak silat in West Java
and thought some of my observations may be of interest.
According to Bapak Ace Sutisna, the current head of Keluarga Besar Pencak
Silat Cimande, the style was developed and spread by Abah Kahir, a native
of Cimande, approximately 350-400 years ago. Pak Ace himself is a 11th
generation descendant of Abah Kahir from his mothers side of the family.
A geneological
chart put together by Cimande elders cites 'Embah Buyut', a respectful
term in Sundanese language for a great grandfather, as the systems
founder. The
first generation of practitioners consisted of Embah Rangga and Abah
Kahir, followed by Ondong, Kertasinga, Jeprah, Pangiring and Ace Luseha.
Cimande spread concentrically throughout West Java,mainly through
the agency of Abah Kahir,
intergrating with local systems ie. Cikalong in Cianjur, Cikaret in
Sukabumi, Serak in Garut etc., to the point that it is often difficult
to separate
the Cimande elements from those of the local styles. Interestingly,
during the several weeks that I spent at Pak Ace's home, many guru
silat from throughout
Indonesia, including Banten and Jakarta, came to visit him in order
to check whether or not the Cimande system that they taught was indeed
'authentic'.
According to Pak Ace the movements found in silat Cimande are adaptations
of movements common in the everyday routines of rural peasants,
ie. ploughng fields, carrying firewood etc. In Cimande tenaga dalam
or magical training is not a part of the system, though the sincere
performance of religious obligations is considered essential. New
students must make
an oath (known as a 'talek'), and undergo a ritual intitiation in
which their eyes are ritually clensed in order that they may see
things
as
they 'really' are.
The style taught in Cimande consists of 3 elements: 'jurus kelid',
made up of 33 jurus that prioritise evasive and counter-attack
hand movements,
'jurus pepedangan', consisting of 17 jurus using a wooden long
sword, and 'jurus tepak selancar',the 'seni' jurus. These jurus are
highly
aestheticised
in order to hide their martial applications to the uninitiated.
Despite the development of numerous 'innovations' in silat practice,
pencak silat in Cimande is still
performed as it always has. The first 12 jurus kelid are practiced
in pairs seated in a cross-legged position, a tradition that
evolved from
the practice
of holding training sessions after Quranic recitals.The main
object of these jurus is to develop strength in the forearms.
After training
the forearms
are rubbed with an oil made primarily from young coconuts. It
is believed that after frequent use of this oil it literally
saturates the bones,
making the Cimande practitioner impossible to grab.
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